Emily Belsey

Writer Extraordinaire

Today a new sun rises for me; everything lives, everything is animated, everything seems to speak to me of my passion, everything invites me to cherish it.

- Anne de Lenclos

I had a date with my dad tonight.  We went to go see Public Enemies.

Amazing.

I knew the acting would be great (Um, hello?  Depp and Bale?  Add in a little DiCaprio, whom I saw in a GREAT teaser for his next movie, Shutter Island, and the night’s perfect!), knew the story would be great (a bank robber, 1930s Depression-era Chicago, the newly formed FBI), so I went into the movie expecting a good movie.

Michael Mann (Collateral, The Insider, The Last of the Mohicans) more than delivered.  I agree completely with Roger Ebert’s review of the film (read it here).  Mann is a compelling visual director and I know I’ll be haunted for a while by his visual commentary.

And the sound!  The sound editing and mixing was perfect.  Compared to “assault and permanently damage all senses and sensibilites” Transformers: Revenge of the Fallen, Enemies was subtle, surprising, quiet, and authentic.  Guns sounded like guns with a quick “pop pop pop” for the machine gun, an earth-shattering “boom” for the shotgun – never once was the Hollywood gun heard.

Only once during the film did I think, “Of course he’ll get him – he’s Batman!”

Johnny Depp as Johnny Dillinger in "Public Enemies"

Johnny Depp as Johnny Dillinger in "Public Enemies"

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